RELIEF MOTIF BURUNG MERAK PADA PESAREAN SUNAN SENDANG DUWUR PACIRAN LAMONGAN: KAJIAN BENTUK, MAKNA DAN ESTETIKA

DOI:
https://doi.org/10.36456/JBN.vol3.no1.2116
Keywords:
relief, peacock motifs, study of forms, study of meaning, study of aestheticAbstract
This study aims to examine the relief of peacock motifs at the gate of Paduraksa I and Paduraksa
II tomb complex of Sunan Sendang Duwur Paciran Lamongan which includes (1) visual relief
of peacock motifs, (2) the meaning of relief of peacock motifs, and (3) aesthetic value relief
of peacock motifs. This research uses descriptive qualitative methods with data collection
techniques, observations, interviews, and documentation. Data analysis using sign analysis or
textual analysis. The results of this study include: visual relief forms of peacock motifs at the
gate of Paduraksa I and Paduraksa II at the Sunan Sendang Duwur tomb are ornaments with
a floristic style that has undergone Islamization, namely the shape of ornamentation informed
of the flora motif into the shape of a peacock animal. The meaning of relief in the tomb
complex of Sunan Sendang Duwur basically gives a picture of how human relations with humans,
human relations with nature and the relationship between humans and their Lord. This relief
also provides a description of the symbols of life that is about courage, knowledge, protection,
protection, greatness, strength and justice. This relief also gives us an idea that this tomb complex
is a gathering of holy spirits, the final resting place from human to human journey to face God
in another sense that the Sunan Sendang Duwur tomb complex is a sacred/ sacred place, so we
must not carelessly take action or acts that violate the applicable ethics. The aesthetic values
contained in the reliefs in the tomb complex of Sunan Sendang Duwur, which is a picture of
a journey to holiness and also a picture of the division of nature, that is physical, spiritual and
conscience. From the analysis it can be concluded that the relief of the tomb complex of Sunan
Sendang Duwur has a form of ornamentation with a floristic style that is Islamized both in
terms of visual form, meaning and aesthetic values contained therein connected with Islamic
teachings in the form of the teachings about God.