Published as a journal that serves as a medium for dissemination of research results and scientific work, which aims to increase knowledge in science, knowledge, skills, and abilities in the fields of education, arts, culture and design aspects of navigation, visual, theater, literature, sound and the sounds that are in the treasury of cultural heritage. Diterbitkan dalam bentuk jurnal yang berfungsi sebagai media hasil disseminasi penelitian dan karya ilmiah, yang bertujuan untuk menambah wawasan dalam science, knowledge, skill, dan ability dalam bidang pendidikan, seni, budaya dan desain pada aspek olah gerak, rupa, teater, sastra, suara dan bunyi-bunyian yang berada dalam khasanah budaya Nusantara.
MENGGALI MAKNA WOTIK WAWI WATEN DALAM MORAL DAN ETIKA PERKAWINAN MASYARAKAT DESA BAOMEKOT KAB. SIKKA
The Wotik Wawi Waten ritual is a traditional ritual involving the feeding of a pig’s heart, which aims to legitimize marital status in accordance with established customary marriage laws, while also in- stilling noble values in the bride and groom so that they may build a harmonious household.The objectives of this study are: (1) to describe the process of the Wotik Wawi Waten ritual among the people of Baomekot Village, Sikka Regency; (2) to describe the meaning of the Wotik Wawi Waten ritual as a moral and ethical guide for the community of Baomekot Village, Sikka Regency; and (3) to identify the reasons and factors that cause the Wotik Wawi Waten ritual to continue to be main- tained as an important part of marital life in the Baomekot Village community up to the present day. This research employs a descriptive qualitative method, with data collection techniques in- cluding interviews and observation. The findings indicate that the Wotik Wawi Waten ritual consists of three stages, namely the Loka Pare Hoban stage, the Ole Robak Wawi stage, and the Wotik Wawi Waten stage. In community life, this ritual is regarded as a form of action that involves religious, social, and moral values. The ritual reflects a socio-cultural system that functions as a moral and ethical guideline for the Sikka community in shaping patterns of behavior. On the other hand, this ritual is not merely a sacred ceremony, but also serves as a foundation for the formation of a moral society. The symbols or ritual objects that determine ethics and morality in the ritual include ole, wawi waten, and wawi waten. Through the symbolic actions in this ritual, the willingness of both bride and groom to establish a strong and enduring relationship is expressed.
Copyright (c) 2026 Jurnal Budaya Nusantara https://creativecommons.org/licenses/by-sa/4.0
NILAI SOSIAL BUDAYA TRADISI SEDEKAH BUMI BAGI SISWA SEKOLAH DASAR DI DESA KETAPANGTELU LAMONGAN
This study aims to describe the social and cultural values embedded in the Sedekah Bumi tradition and its significance for elementary school students in Ketapangtelu Village, Lamon- gan Regency. The study employed a qualitative approach with descriptive methods. The re- search subjects consisted of community leaders, fifth-grade teachers, and elementary school students. Data were collected through interviews, observation, and documentation, with data analysis techniques including data reduction, data presentation, and conclusion drawing. Data validity was ensured through triangulation of sources and techniques. The results indicate that the Sedekah Bumi tradition embodies social values such as reciprocal cooperation, together- ness, social solidarity, and community participation. Furthermore, this tradition embodies cul- tural values including religiosity, gratitude, agrarian cultural identity, and the transmission of local culture. Elementary school students view the Sedekah Bumi tradition as an activity that fosters togetherness, gratitude, and meaningful socio-cultural learning experiences. In conclu- sion, the Sedekah Bumi tradition has the potential to become a learning resource based on local wisdom relevant to Pancasila and Citizenship Education (PPKn) in elementary schools.
KAJIAN TERHADAP UPACARA PIONG WODOR DALAM HUBUNGAN DENGAN SILA KETUHANAN YANG MAHA ESA PADA MASYARAKAT NAMANGKEWA
Kajian ini membahas upacara adat Piong Wodor dalam kaitannya dengan Sila Ketuhanan Yang Maha Esa pada masyarakat Namang Kewa, khususnya melalui konsep sakral yang dikenal sebagai Mahe Watu Mahang Uluh Higun yang terletak di dalam rumah. Piong Wodor merupakan salah satu ritual adat penghormatan kepada arwah leluhur yang masih dipraktikkan dan mengakar kuat dalam kehidupan masyarakat Namang Kewa. Dalam tradisi ini terdapat ungkapan dalam bahasa Sikka, yaitu “eat naha piong tinut naha tewok”, yang bermakna bahwa setiap aktivitas makan dan minum harus selalu disertai dengan ingatan dan penghormatan kepada leluhur melalui pemberian sesaji. Istilah piong sendiri berasal dari bahasa Sikka yang berarti memberi makan leluhur sebagai bentuk persembahan kepada anggota keluarga yang telah meninggal dunia. Pelaksanaan ritual Piong Wodor dilakukan di mahe, yaitu media sakral berupa batu yang diyakini sebagai tempat perantara hubungan antara manusia dengan leluhur dan Tuhan. Melalui pendekatan kualitatif deskriptif, kajian ini menelaah makna simbolik, fungsi religius, serta nilai ketuhanan yang terkandung dalam upacara Piong Wodor. Hasil kajian menunjukkan bahwa ritual ini mencerminkan pengakuan masyarakat Namang Kewa terhadap keberadaan Tuhan Yang Maha Esa, yang diwujudkan melalui penghormatan terhadap leluhur, rasa syukur, serta kesadaran akan hubungan spiritual antara manusia, alam, dan Sang Pencipta. Dengan demikian, upacara Piong Wodor tidak hanya memiliki nilai budaya, tetapi juga mengandung nilai-nilai yang sejalan dengan Sila Ketuhanan Yang Maha Esa dalam Pancasila.
MENGGALI NILAI PINTU GEBYOK ARSITEKTUR RUMAH ADAT JAWA: EKSPLORASI ETIKA JAWA FRANZ MAGNIS SUSENO
This research aims to examine the value of gebyok doors in the traditional Javanese houses of architecture through the perspective of Franz Magnis Suseno Javanese ethics. This research uses a qualitative method with a literature analysis approach to explore Franz Magnis Suseno Javanese ethics to understand the value of gebyok doors in traditional Javanese architecture. The results of the research show that the principles of Javanese ethical values are embodied in the sacred space of the central hall, which uses a Patangaring gebyok door with a kala motif, a reminder that one must be in state of pruirity when entering the room. The shorter emper gebyok door symbolically implies that others should be andhap asor (polite and humble) and self-aware. The kupu tarung door model, when open, is a cultural medium that articulates to the homeowner to always be friendly, open, and generous, welcoming anyone who comes as a guest. Thus, harmony, psychological state, namely inner peace, tranquility, and sense of security (slamet) envelop the lives of the Javanese people.
LEBARAN KETUPAT SEBAGAI PRAKTIK SASTRA MULTIKULTURAL: STUDI SEMIOTIK TERHADAP SIMBOL DAN MAKNA TRADISI MAKAN TAKIR
Abstract This study examines the Lebaran Ketupat tradition as a form of multicultural literary practice through a semiotic approach to the symbols and meanings embedded in the makan takir tradition practiced in Palembang and East OKU Regency, South Sumatra. The study is grounded in the perspective that religious rituals do not merely reflect spiritual expressions but also function as cultural practices that shape collective identities, construct social relations, and foster values of tolerance within multicultural societies. This research employs a descriptive qualitative approach with a semiotic method, drawing on the theories of Charles Sanders Peirce and Roland Barthes to analyze cultural symbols such as ketupat, takir, and communal dining practices as sign systems that convey denotative, connotative, and mythological meanings. The findings reveal that ketupat is interpreted as a symbol of purity, reconciliation, and communal identity, while takir represents a harmonious relationship between humans and nature as well as ecological awareness within the framework of Nusantara Islam. Furthermore, communal dining rituals function as narratives of togetherness and tolerance that transcend social, ethnic, and religious boundaries, serving as mechanisms for strengthening social bonds and facilitating communal reconciliation. These findings affirm that the Lebaran Ketupat tradition can be understood as a living cultural text that represents multicultural values, social equality, and harmony in diversity. Thus, this study contributes to the development of semiotic studies, symbolic anthropology, and multicultural literary studies, while also emphasizing the significance of local traditions as models of tolerance practices and social cohesion in Indonesia’s multiethnic society. Keywords: Lebaran Ketupat; cultural symbols; tolerance.
TRADISI ATA PE'ANG DAN ATA ONE DI MANGGARAI: ALIENASI TERHADAP PEREMPUAN
Di Manggarai, ada sebuah tradisi ata pe’ang dan ata one yang memberi semacam legitimasi alienasi terhadap perempuan. Jika diterjemahkan secara harafiah, Ata=orang, Pe’ang=luar. Ata pe’ang artinya orang luar. Ata one artinya orang dalam. Ata pe’ang (orang luar) merujuk pada perempuan. Sedangkan Ata one (orang dalam) merujuk pada laki-laki. Secara tidak langsung, tradisi ini menempatkan perempuan sebagai second class atau orang luar. Secara adat, perempuan dialienasi atau barangkali tidak “dianggap” keberadaannya. Tulisan singkat ini bertujuan untuk mengkritisi tradisi Ata Pe’ang dan Ata One di Manggarai yang hemat penulis sangat diskriminatif, terutama kepada perempuan. Diskriminasi karena tradisi ata pe’ang dan ata one di Manggarai adalah konstruksi sosial budaya yang berimplikasi pada kedudukan sosial, kebebasan menentukan nasib, dan peran dalam hal publik maupun domestik. Lebih dari pada itu, eksistensi seorang perempuan di Manggarai sudah mulai teralienasi ketika dia dilahirkan di dunia ini. Penulis menggunakan metode kualitatif, yaitu studi kepustakaan dengan mencari berbagai bahan literatur di perpustakaan. Hasilnya menunjukkan bahwa tradisi ata pe’ang dan ata one di Manggarai adalah bentuk alienasi yang meminggirkan perempuan dalam kehidupan sehari-hari. Hasil ini mengafirmasi sebuah upaya rekonstruksi atau membaca ulang tradisi tersebut yang mengabaikan prinsip kesetaraan antara laki-laki dan perempuan di Manggarai. Hal ini adalah langkah solutif demi terciptanya kesetaraan gender.
PEMEROLEHAN ASPEK FONOLOGIS BAHASA JAWA SEBAGAI BAHASA KEDUA PADA ANAK USIA 4–5 TAHUN
This study investigates the acquisition of Javanese phonology as a second language (B2) in a 4–5-year-old child (E.A.R.) who uses Indonesian as her first language (B1). Conducted in a natural home environment, the study employed observations, audio–video recordings, semi-structured interviews with parents, and field notes to examine developmental patterns, phonological errors, and factors affecting B2 phonological acquisition. The findings show that E.A.R.’s mastery of Javanese phonemes develops gradually and is strongly shaped by limited exposure to the language and the dominance of Indonesian in daily communication. While common phonemes shared by both languages are produced accurately, Javanese-specific phonemes—such as retroflex (/dh/, /th/), palatal nasal (/ɲ/), velar nasal (/ŋ/), and prenasal clusters (mb-, nd-, ngg-)—tend to be simplified. The study also identifies several error processes, including substitution, cluster reduction, deletion, and distortion. These patterns reflect natural phonological simplification and B1 transfer. Environmental input, phonological complexity, articulatory development, and family language attitudes emerge as key factors influencing acquisition. Overall, this research fills a gap in previous studies by describing B2 Javanese phonology acquisition in a low-exposure bilingual child.
KRISIS RASA MALU DALAM PERSPEKTIF UNGKAPAN TRADISIONAL JAWA DAN BUDAYA DIGITAL KONTEMPORER
The development of digital technology and social media has led to the phenomenon of self-exposure and oversharing, which has shifted the meaning of shame into a means of self-existence. Shame in Javanese culture has a social function as a behavior controller, maintaining honor, and ensuring harmony in social interactions. This study aims to describe the representation of the value of shame (isin, wirang) in traditional Javanese expressions and examine the form of shame crisis that emerges in the digital culture of contemporary Javanese society. This study uses a hermeneutic approach by interpreting traditional Javanese expressions that represent the ethics of keeping secrets and privacy. The results show that the crisis of shame in the digital world reflects the shift of Javanese ethical values from spiritual shame to performative shame. Javanese ethical values such as ajining diri saka lathi, ajining raga saka busana can be revitalized as the basis of ethical behavior in the digital world. The reinterpretation of shame is important to build the moral awareness of digital society to uphold self-dignity and social harmony.
LOCAL WISDOM THROUGH THE MEANING OF SUKAPURA BATIK MOTIFS
Batik, as one of Indonesia’s most treasured cultural heritages, was officially recognized by UNESCO on October 2, 2009. It holds a significant place in global cultural history, with strong historical roots that have been preserved for centuries. Given its importance, batik has been integrated into educational curricula in Indonesia to foster cultural awareness and appreciation among younger generations. This study seeks to address three main research questions: (1) how the traditional craftsmanship and creative thinking of batik artisans contribute to elevating the cultural identity and dignity of local communities through Sukapuraan batik, (2) how the visual language and aesthetic aspects of batik motifs can be examined as a unique form of local genius, particularly in the context of Tasikmalaya batik, and (3) how the symbols, motifs, and underlying philosophical values embedded in batik designs can be identified and incorporated into school subjects to enrich students’ knowledge. The primary objective of this research is to document and analyze the motifs, symbols, and artistic meanings found in Sukapuraan batik. These findings are intended to serve as valuable cultural resources that can be used in learning contexts to strengthen national identity and promote meaningful learning. A qualitative research approach was employed, involving surveys, interviews, and documentation studies, supported by aesthetic and philosophical analyses. The results are expected to reveal the visual language of traditional batik and its inherent values, providing a foundation for integrating this knowledge into school curricula and contributing to the preservation and revitalization of Indonesia’s cultural heritage.
Copyright (c) 2025 Jurnal Budaya Nusantara https://creativecommons.org/licenses/by-sa/4.0
PERAN GASTRODIPLOMASI DALAM MEMPERKENALKAN IDENTITAS NASIONAL MELALUI INDONESIA SPICE UP THE WORLD
Gastrodiplomasi merupakan bentuk pengenalan budaya melalui makanan yang diperkenalkan secara global. Gastrodiplomasi dapat digunakan sebagai sarana dalam mengenalkan identitas negara Indonesia melalui kuliner yang ada. Program yang mendukung hal tersebut ialah program Indonesia Spice Up The World. Penelitian ini mengkaji ilmu dengan metode kualitatif analisis deskriptif dengan desain penelitian studi kasus yang bertujuan memberikan wawasan tentang peran gastrodiplomasi dalam memperkenalkan identitas nasional melalui Indonesia Spice Up The World. Penelitian ini juga bertujuan untuk memberikan kesadaran kepada masyarakat terhadap pentingnya memperkenalkan budaya dan identitas nasional suatu negara. Hasil dari penelitian menunjukkan bahwa Indonesia memiliki keanekaragaman rempah-rempah dan masakan khasnya, yang menunjukkan kekayaan budaya dan sejarah negara tersebut. Secara keseluruhan, identitas nasional Indonesia dipromosikan secara signifikan di tingkat global melalui diplomasi makanan melalui "Indonesia Spice Up the World". Peran Gastrodiplomasi terhadap pengenalan identitas nasional juga sangat berpengaruh besar, lewat Gastrodiplomasi suatu negara dapat dengan mudah memperkenalkan kebudayaan mereka ke negara lainnya, lewat hal ini suatu negara dapat membangun identitas nasional mereka dengan cepat termasuk juga Indonesia.
KEKAYAAN BAHASA ACEH IDENTITAS BUDAYA YANG TAK TERGANTIKAN
Acehnese is one of the cultural assets that represent the historical and sociocultural identity of the Acehnese people. As part of the wealth of regional languages in Indonesia, Acehnese not only serves as a means of communication but also as a medium for the transmission of local values, norms, and traditions. The purpose of this article is to preserve the culture of the Acehnese language. The method used is a literature review article. The result obtained is that the preservation of the Acehnese language is not merely a linguistic effort, but a form of protection for an invaluable cultural heritage. Therefore, the active role of all parties—both the government, educational institutions, and the community—is necessary to preserve the existence of the Acehnese language as an irreplaceable cultural identity.
SEKATEN SOLO DI SIMPANG TRADISI DAN KOMODIFIKASI: KAJIAN KRITIS ATAS PERGESERAN SAKRALITAS MENUJU KOMERSIALISASI BUDAYA DI KOTA SOLO
Sekaten is a noble cultural heritage that forms a crucial part of Indonesia’s national identity construction, particularly in its cultural and spiritual dimensions. The philosophical meaning of Sekaten reflects the transcendent relationship between humans and the Creator within a local cultural framework. However, in recent decades, the sacred values of Sekaten have undergone significant shifts due to the penetration of modernization and commercialization. This research aims to examine the dynamics of value and meaning changes in the Sekaten celebration in Solo City as a reflection of its transformation from a sacred tradition towards cultural commodification. Using a qualitative approach and literature review method, this study analyzes Sekaten’s cultural practices, including changes in its ceremonies and the actors involved. Findings indicate that Sekaten is no longer merely a religious and cultural ritual but has shifted into an economic tourism and entertainment event heavily influenced by market interests. This condition reveals a tension between efforts to preserve traditional values and contemporary economic demands. This study is expected to enrich the discourse on national identity and strategies for preserving local culture amidst the currents of cultural capitalism.
GANDRUNG TAK HANYA MENARI: IDENTITAS PEREMPUAN DAN PERLAWANAN DALAM BUDAYA BANYUWANGI
Gandrung Banyuwangi is not merely a form of entertainment but also a political and social medium that conveys elements of female identity (Arisandi et al., 2023). Gandrung dancers are often subjected to negative stigma as mere "entertainers" (Arisandi et al., 2023); however, they have successfully utilized the stage as a space for cultural resistance and gender negotiation. This research employs descriptive qualitative and ethnographic methods to explore how these paradigms are embodied in the Gandrung Sewu dance and the 2022 beach performance, reinforcing a sense of local identity (Flaurenza, 2023). In addition, a study on the philosophical values of Gandrung among the millennial generation in Kemiren (Kusmaryono et al., 2022) reveals that the dance contains symbols of social struggle and efforts toward cultural regeneration in the digital era. The findings conclude that Gandrung dance is not solely about aesthetics; it is a cultural battlefield where Banyuwangi women actively construct new identity narratives through their bodies and performances.
ANALISIS TINDAK TUTUR PERLOKUSI ANTAR TOKOH PADA NOVEL "GADIS KERETEK" KARYA RATIH KUMALA
Penelitian ini berfokus pada analisis tindak tutur perlokusi antar tokoh dalam novel "Gadis Kretek" karya Ratih Kumala. Tujuan penelitian ini adalah untuk mendeskripsikan berbagai bentuk tindak tutur perlokusi yang muncul dalam interaksi antar tokoh, yaitu bentuk-bentuk tindak perlokusi yang meliputi mengajak, melarang, dan berjanji. Novel Gadis kretek ini dipilih karena memiliki kekayaan dialog yang mencerminkan dinamika komunikasi antar tokoh secara kompleks dan menarik. Data penelitian dianalisis melalui pendekatan deskriptif kualitatif, yang bertujuan untuk menggambarkan pemahaman lebih mendalam bagaimana hubungan interaksi antar tokoh saling mempengaruhi. Teknik pengumpulan data yang digunakan adalah membaca naskah dialog dan mencatat, Teknik catat dilakukan untuk mencatat bagian dialog yang mengandung bentuk tindak tutur perlokusi antar tokoh dalam novel. Setiap kutipan dialog yang mengandung tindak tutur perlokusi dianalisis untuk mengidentifikasi bentuk tindak perlokusi serta efek yang ditimbulkannya terhadap tokoh lain. Efek yang ditemukan dari tindak tutur ini bermacam-macam yaitu menolak ajakan, melaksanakan perintah, menerima perintah, dan menerima saran. Hasil temuan dalam penelitian ini diharapkan dapat memberikan kontribusi terhadap kajian pragmatik, dan dapat menjadi acuan dalam pembelajaran bahasa Indonesia, khususnya dalam pengembangan materi pembelajaran berbasis teks sastra yang memperhatikan aspek kebahasaan secara fungsional.T
PROSES KREATIF SENI LUKIS KACA SEBAGAI WARISAN BUDAYA DAN EKSPRESI MODERN
Glass painting is a branch of fine art that is a form of traditional expression realised in the form of paintings on glass. The visual objects that are often depicted in the glass painting works of the archipelago are local cultural objects such as puppet characters and religious symbols. This study was made with the aim of describing the tradition of glass painting to young people and encouraging the preservation of glass painting in the modern era. The approach taken is a qualitative and artistic approach. The method used in making this study is a qualitative descriptive method with data collection through observation techniques and literature studies. The results found in this study are the history of glass painting in the archipelago, the process of making glass painting, and examples of traditional glass painting works from the 1920-1960 period along with the background of the work.
PERAN GENERASI MUDA DALAM MELESTARIKAN NILAI NILAI TRADISI BEKAMPUNG DI DESA TANJUNG RAMBAI, KELURAHAN GUNUNG KEMBANG, KECAMATAN SAROLANGUN, PROVINSI JAMBI
Penelitian ini bertujuan untuk mendeskripsikan proses pelaksanaan Tradisi Bekampung, mengidentifikasi nilai-nilai yang terkandung di dalamnya, serta menganalisis peran generasi muda dalam upaya pelestarian budaya. Metode yang digunakan adalah pendekatan kualitatif deskriptif dengan teknik pengumpulan data melalui wawancara, observasi, dan dokumentasi. Hasil penelitian menunjukkan bahwa Tradisi Bekampung masih dijalankan dengan mengikuti pola turun-temurun, Nilai-nilai utama yang tercermin meliputi semangat gotong royong, kekeluargaan, Tanggung jawab sosial, Tolong menolong, religius, musyawarah mufakat, pelestarian budaya, dan penghormatan kepada orang tua. Setiap Generasi menunjukkan keterlibatan yang dominan, Generasi tua berperan penting dalam menjaga keberlangsungan tradisi ini melalui keteladanan dan pengajaran langsung, sedangkan generasi muda menunjukkan partisipasi yang beragam, dalam menjaga dan meneruskan tradisi, Hasil dari penelitian ini diharapkan dapat memberikan gambaran yang utuh mengenai pentingnya Tradisi Bekampung dalam menjaga warisan budaya, serta mendorong keterlibatan di setiap generasi untuk tetap mempertahankan keberlangsungannya, dengan demikian di setiap daerah di kecamatan Sarolangun memiliki makna dan proses Tradisi Bekampung berbeda - beda.
STREET FOOD SEBAGAI WARISAN LOKAL DALAM BALUTAN MODERNITAS: STUDI BANDING SURABAYA & BUSAN-KOREA SELATAN
Street food tidak hanya sekadar sajian kuliner pinggir jalan, tetapi juga merepresentasikan nilai-nilai budaya, identitas lokal, serta dinamika sosial yang hidup di tengah masyarakat urban. Penelitian ini membandingkan fenomena street food di dua kota pelabuhan besar di Asia, yaitu Surabaya (Indonesia) dan Busan (Korea Selatan), yang masing-masing memiliki kekhasan budaya serta tantangan dan peluang dalam menghadapi arus modernisasi dan globalisasi. Dengan menggunakan metode kualitatif studi pustaka, penelitian ini mengkaji bagaimana street food bertransformasi dari tradisi lokal menjadi bagian dari identitas kota yang modern dan menarik secara visual maupun ekonomi. Di Surabaya, street food hadir sebagai hasil akulturasi budaya lokal dengan elemen modern, sedangkan di Busan, street food mencerminkan efisiensi dan estetika khas Korea. Hasil penelitian menunjukkan bahwa street food di kedua kota tidak hanya menjadi daya tarik kuliner, tetapi juga menjadi strategi penguatan ekonomi lokal dan promosi budaya.
ANALISIS TEKS PADA NOVEL SESUK KARYA TERE LIYE: KAJIAN ANALISIS WACANA KRITIS TEUN A. VAN DIJK
This research aims to describe Teun A. Van Dijk's critical discourse analysis in the novel Sesuk by Tere Liye. This research examines critical discourse analysis theory in terms of text. This text analysis is divided into three elements, namely, macro structure (thematic), superstructure (schematic), and micro structure. The research approach used in the research is descriptive qualitative. This research method uses the critical discourse analysis method by explaining the text analysis in the novel Sesuk by Tere Liye. This research uses a descriptive qualitative approach. The data in this research is information about the analysis of words, phrases, clauses, and sentences contained in the novel. The data source of this research is the novel Sesuk by Tere Liye. The results of the research in the novel Sesuk by Tere Liye are text analysis divided into several elements, namely macro structure, superstructure, and micro structure. The macro structure of the author discusses the theme of the independence of a young girl. Superstructure has several stages, namely the introduction, content, closing, and conclusion stages. One of the contents shows the nature of maturity in a child who is still young but able to do homework from morning to night. The microstructure uses semantics, syntax, stylistics, and rhetoric. Semantic elements are divided into setting, details, purpose, and presupposition. Syntax is divided into several parts, namely pronouns, coherence, and sentence form. The stylistics used is personification. Rhetoric is divided into graphics, metaphors, and expressions.
REKONSTRUKSI KIDUNG BANYU PITU DALAM UPACARA SELAMATAN MEMIT
Kidung Banyu Pitu merupakan salah satu kesenian tradisional yang berkembang di Desa Kedokan Agung, Kecamatan Kedokan Bunder, Kabupaten Indramayu. Kesenian ini memiliki keterkaitan erat dengan upacara selamatan Memitu atau Nujuh Bulanan yang mengandung nilai spiritual dan simbolis dalam kehidupan masyarakat. Seiring dengan perkembangan zaman dan pergeseran budaya, praktik Kidung Banyu Pitu mengalami perubahan baik dalam bentuk penyajian maupun maknanya. Artikel ini bertujuan untuk merekonstruksi Kidung Banyu Pitu dengan mempertahankan esensi budaya serta menyesuaikan dengan dinamika masyarakat modern. Metode yang digunakan dalam penelitian ini adalah pendekatan historis dan analisis semiotik guna mengungkap makna yang terkandung dalam Kidung Banyu Pitu serta relevansinya dengan nilai-nilai Islam dan kearifan lokal. Hasil penelitian menunjukkan bahwa rekonstruksi Kidung Banyu Pitu dapat dilakukan dengan tetap mempertahankan unsur religiusnya sekaligus menyederhanakan prosesi agar tetap relevan dan diterima oleh masyarakat kontemporer.
The rapid development of digital technology has significantly transformed the music industry, influencing various aspects from production and distribution to audience engagement. This article explores the implications of technological advancements, particularly the integration of artificial intelligence (AI), blockchain, non-fungible tokens (NFTs), and the Metaverse in the music sector. Using a qualitative approach with a literature study method, this research analyzes various sources and case studies to examine the impact of these technologies. The findings reveal that AI has revolutionized music creation by enabling automation in composition and production, enhancing efficiency and creative possibilities. However, this innovation also raises ethical debates regarding originality and copyright ownership. In parallel, blockchain and NFTs introduce a transparent and decentralized distribution model, allowing musicians to control their intellectual property and earnings without relying on intermediaries such as record labels. Despite these advantages, challenges remain, including limited public understanding of blockchain and market instability due to cryptocurrency fluctuations. urthermore, Metaverse-based virtual concerts and music experiences using VR technology present new opportunities for immersive and inclusive entertainment. However, replicating the emotional depth of live performances and ensuring accessibility to VR devices remain significant challenges. Overall, while these technologies offer promising innovations in the music industry, concerns related to regulation, ethics, and accessibility must be addressed. A balanced approach is necessary to fully harness the benefits of digital transformation while mitigating its potential drawbacks.
MAKNA FILOSOFI DALAM UBARAMPE KIRAB MERTI SUMBER DESA KROWE KECAMATAN LEMBEYAN KABUPATEN MAGETAN
This study aims to: explain the philosophical meaning in the Kirab Merti Sumber ubarampe. The study is a qualitative descriptive study with a Roland Barthes semiotic approach. Primary data in the form of interviews and secondary data with observations and photos, Data sources from this study include events and places (Kirab Merti Sumber in Krowe Village, Lembeyan District, Regency), informants (Krowe Village community), documents (documentation of the Kirab Merti Sumber procession, books, journals, and Javanese literature). For the data collection procedure using purposive sampling. Data collection was carried out from interviews, observations, and documentation. The procedure for testing the validity of the data by triangulating data sources and triangulating theories. Data analysis using the Spradley Model Ethnographic Dhata Analysis procedure. The results of this study indicate that there are nine ubarampe in Kirab Merti Sumber that have philosophical meaning in them.
PEMANFAATAN LIMBAH ALUMUNIUM FOIL DAN EYESHADOW EXPIRED UNTUK PEMBUATAN NAILART MOTIF BATIK
Penanganan pengelolaan limbah hasil industri ataupun dari hasil praktek perkuliahan menimbulkan limbah yang rentan terhadap lingkungan, baik berupa limbah padat, cair atau bentuk lainnya. Pengelolaan limbah perlu ditegaskan guna memberikan efek yang baik untuk kesehatan masyarakat dilingkungan kampus, terutama kampus-kampus yang memiliki mata kuliah praktek yang dapat menghasilkan limbah, salah satunya di prodi tata rias Akademi Kesejahteraan Sosial “AKK “ Yogyakarta pada mata kuliah pewarnaan rambut yang menggunakan alumunium foil sebagai bahan untuk pengaplikasian pewarna rambut atau bleaching dan juga eyeshadow yang telah melewati batas penggunaannnya/ expired. Penelitian ini bertujuan untuk mengetahui bagaimana pemnfaatan limbah alumunium foil dan eyeshadow expired yang digunakan untuk pembuatan nailart dengan tema batik. Dalam menganalisis penelitian ini menggunakan kualitatif deskriptif melalui metode R&D level 1. Data yang dimanfaatkan dalam penelitian dikumpulkan melalui teknik pengumpulan data berupa Observasi, kuisioner dan dokumentasi karena penulis hanya menggambarkan hasil penelitian secara apa adanya sesuai dengan hasil analaisis. Hasil penelitian ini dapat disimpulkan mengenai proses pembuatan nail art yang menggunakan eye shadow expired sebagai base nail art terdapat 9 responden (45%) berpendapat mudah, proses pembuatan menggunakan limbah alumunium foil terdapat 9 responden (45%) berpendapat cukup mudah, terdapat 10 responden (50%) berpendapat sangat indah dari hasil total look pembuatan nailart dengan motif Batik Parangan dan Batik Kawung terdapat 17 responden (85%) berpendapat sangat indah.
TRADISI ROAH 1001 DULANG TEBOLAK BEAQ DI DESA GELANGGANG KABUPATEN LOMBOK TIMUR: MENYINGKAP MAKNA MENGUNGKAP RASA
This research aims to reveal the meaning of the Tradisi Roah 1001 Dulang Tebolak Beaq, which was carried out in the village of Gelanggang, Sakra Timur sub-district, Lombok Timur regency. The research also aims to describe the background of its implementation, the pro- cess, the response of the community, religious leaders, and the government towards this tradition, and its potential to become one of the cultural and religious tourist attractions in Lombok Timur regency. This research uses a qualitative descriptive approach, where data is collected through interviews, discussions, and direct observation. Data analysis is done the- matically, and data validation is done through member checking, triangulation, and peer review. The results of the research indicate that the Tradisi Roah 1001 Dulang Tebolak Beaq plays a role as a social unifier and a manifestation of religious teachings and values contained in Pancasila. This tradition is carried out at the Batu Ngereng tomb during the Sya’ban month to honor the spirits of the deceased and express gratitude to Allah. This tradition has the potential to become a tourist attraction for the Gelanggang tourist village.This abstract sec- tion should be typed in Italic font and font size of 9 pt and number of words of 100-150. The single spacing should be used between lines in this article. If an article is written in Bahasa Indonesia or English, the abstract should be typed in Indonesian and English.
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MAKNA FILOSOFIS DAN SIMBOLIS SENI BETOK DI SUKABUMI: EKSPLORASI NILAI-NILAI BUDAYA DALAM SENI PERTUNJUKAN TRADISIONAL
This research explores the philosophical and symbolic meanings of the Betok Performing Arts in Sukabumi, depicting the rich cultural values embedded in this traditional performing art. This performing art has been present in Sukabumi for a long time, and its sustainability has been maintained from generation to generation. In its history, this performing art origi- nated from competitions to defend the state, then evolved into a traditional performing art that includes elements such as flying, kuda lumping, and integrates various entertainments like pencak silat and cador. The research method involves direct observation, interviews with artists and community figures, and analysis of the elements of the performing arts. The re- search findings provide new insights into understanding Betok as a unique cultural per- forming art. The results of this research highlight the importance of Betok Art in preserv- ing cultural identity and provide suggestions for further preservation and development steps
MELAMPAUI ROMANTISISME: ANALISIS SLAVOJ ŽIŽEK TENTANG CINTA DALAM KONTEKS PERKAWINAN TRADISIONAL SUKU DAYAK RANDOK
Artikel ini menggabungkan konsep cinta Slavoj Žižek dengan konteks perkawinan tradisional suku Dayak Randok. Žižek menganggap cinta sebagai pengalaman radikal yang mengubah individu, bukan sekadar perasaan romantis atau kebutuhan biologis. Sementara itu, masyarakat Dayak Randok memiliki perkawinan yang kaya akan nilai budaya. Melalui ritual adat, perkawinan tidak hanya menghubungkan dua individu tetapi juga memperkuat ikatan sosial dalam komunitas. Perspektif Žižek membantu memahami dimensi cinta sebagai tindakan radikal dan transformasi sosial dalam struktur budaya yang kaku. Artikel ini menekankan bagaimana cinta dan perkawinan merupakan proses penerimaan kekurangan pasangan, pembentukan komitmen yang mendalam, dan transformasi diri serta komunitas. Dengan demikian, pandangan Žižek memberikan pemahaman yang lebih dalam tentang dinamika cinta dan perkawinan dalam masyarakat tradisional, melebihi sekadar institusi sosial menuju pengalaman pribadi dan kolektif yang kompleks. Dengan demikian, integrasi konsep Žižek dalam konteks perkawinan suku Dayak Randok menghasilkan pemahaman baru tentang hubungan interpersonal dan dinamika sosial dalam budaya yang kuat dan beragam.
MAKNA FILOSOFIS BUDAYA LINGKO SEBAGAI JARINGAN SOSIAL PERSPEKTIF CLIFFORD GEERTZ
Fokus tulisan ini ingin mengkaji refleksi filosofis mengenai budaya lingko sebagai jaringan sosial perspektif Clifford Geertz. Budaya lingko merupakan sistem pembagian lahan berbentuk jaring laba-laba yang menekankan hubungan sosial dan ekologi. Melalui pendekatan interpretatif Geertz, ingin menyatakan bahwa budaya lingko tidak hanya sebuah pembagian lahan tetapi dibalik interpretatif lingko menyoroti nilai-nilai kemanusiaan secara kolektif. Penelitian ini menunjukkan bahwa struktur sosial lingko tidak hanya berfungsi untuk mengatur sumber daya, tetapi juga memperkuat nilai-nilai solidaritas dan kebersamaan bahkan mereka menciptakan ruang bagi interaksi sosial yang mendalam dan pembentukan identitas. Metode yang digunakan adalah metode kualitatif yang menitikberatkan pada refleksi filosofis budaya lingko berdasarkan perspektif Clifford Geertz. Konsekuensi dari pemahaman ini mengajak kita untuk mempertimbangkan pentingnya melestarikan tradisi seperti lingko dalam menghadapi tantangan modernisasi dan globalisasi, yang sering kali mengancam jaringan sosial yang telah terjalin selama berabad-abad. Karena itu, refleksi filosofis ini tidak hanya memperkaya kajian antropologi, tetapi juga menawarkan wawasan bagi upaya pelestarian budaya lokal.
NILAI-NILAI TRADISI MARSIALAPARI MASYARAKAT MANDAILING DI DESA BANGUN PURBA TIMUR JAYA KECAMATAN BANGUN PURBA KABUPATEN ROKAN HULU
Penelitian ini berdasarkan latar belakang masalah tradisi Marsialapari masyarakat Mandailing di Desa Bangun Purba Timur Jaya. Adapun tujuan dari penelitian ini adalah untuk mengetahui nilai-nilai yang terkandung dalam tradisi Marsialapari masyarakat Mandailing di Desa Bangun Purba Timur Jaya. Penelitian ini merupakan penelitian kualitatif dengan menggunakan metode deskriptif. Populasi dalam penelitian ini adalah seluruh masyarakat Bangun Purba Timur Jaya yang berjumlah 5.239 jiwa. Informan dalam penelitian ini adalah Raja, tokoh adat, tokoh masyarakat, tokoh agama, masyarakat dan pemuda-pemudi dengan jumlah 34 orang. Teknik pengambilan informan penelitian adalah menggunakan teknik purposive sampling. Teknik pengumpulan data yang digunakan dalam penelitian ini adalah observasi, wawancara dan dokumentasi. Teknik analisis data yang digunakan dalam penelitian ini adalah reduksi data, penyajian data dan penarikan kesimpulan. Teknik uji keabsahan data dalam penelitian ini adalah triangulasi data. Hasil dari penelitian ini mengungkapkan bahwa dalam tradisi Marsialapari terdapat nilai-nilai yang dapat dijadikan pedoman dan acuan dalam kehidupan masyarakat yang meliputi nilai sosial budaya, nilai gotong royong, nilai moral, nilai toleransi dan nilai silaturahmi.
RUWATAN RAMBUT GIMBAL: SIMBOL KEHARMONISAN ANTARA MANUSIA DAN ALAM DI DIENG WONOSOBO
This research aims to provide a comprehensive understanding of the symbolic meanings and social roles of the dreadlock ritual in Dieng. The method used is a qualitative approach with ethnographic method, which allows researchers to examine this tradition in a broader social and cultural context. The results of the study show that the dreadlock ritual not only functions as a rite of passage, but also as a means to maintain the balance between humans and nature. This tradition illustrates the local community's ability to transmit cultural and spiritual values from generation to generation, while remaining relevant in a changing social context. This research emphasises the importance of preserving local traditions such as dreadlock rituals as part of efforts to maintain the sustainability of the cultural and spiritual ecosystems that have become an integral part of the lives of the people of Dieng.
TEKNIK SENI COR LOGAM TRADISIONAL BEJIJONG SEBAGAI IDENTITAS SENI BUDAYA NUSANTARA
ABSTRACT The Metal Casting Technique of Trowulan is a local genius legacy and a result of cultural development from the past. The existence of metal casting craftsmanship in the Bejijong area represents a wealth of casting techniques that were interrupted after the fall of the Majapahit Kingdom. This technique began to be revived through various studies and reconstructions carried out by Maclaine Pont. The phenomenon of the dry casting technique in Bejijong Village has rarely been studied in depth. As a result, the technical aspects are sometimes seen merely as a means of beautification and regarded as meaningless. Due to these various issues, this research covers discussions on (1) how the metal casting technique in Bejijong Village is viewed and (2) what cultural values are embedded in the Bejijong metal casting technique. The benefit of this research is to broaden public knowledge about the existence of traditional metal casting techniques as part of the visual arts identity of the Nusantara and as a part of the noble cultural heritage. This research uses a qualitative paradigm within the framework of the descriptive-analytic method. It is known that the technique in traditional casting is one of the elements of the knowledge system within a community's culture. The metal casting technique in Bejijong plays an important role as a realization process of works that hold high artistic value. Furthermore, this technique also influences all aspects of human life. Bejijong’s casting products embody three key aspects: artifact, socio-fact, and menti-fact.
STRUKTUR ATAP TAJUG PADA JOGLO GAYA BANGUNAN TRADISIONAL JAWA, DI GUNUNGKIDUL, YOGYAKARTA
Art is seen as a means of communicating human feelings. The Joglo house with a tajug roof located in Gunungkidul, Yogyakarta, has a special and unique charm. This building maintains the authenticity and integrity of traditional Javanese architectural elements, starting from kuncung, lintring, pringitan, pendapa, to dalem ageng. The research method used was descriptive qualitative, collecting data through field observations and interviews with house owners, surrounding communities, as well as studies of related literature. The aim of this research is to provide a detailed explanation of the traditional joglo roof structure so that it can be used as material for consideration and learning to be applied to similar buildings when carrying out maintenance, repair and reconstruction of buildings. The main structure of the Tajug roof, which consists of four pillars and an intercropping structure, functions as the core of the building structure. The symbolic language that is used to implement traditional joglo structures was developed through research into natural suggestions. As a result, society at the time was trying to get closer to the universe in order to get closer to God. so that there is a relationship between him and God, as well as a relationship between him and the universe, his environment, and the microcosm.